The quirky thoughts and madcap adventures of a pop culture diva. Mystery reader and writer by day, ballroom dancer by night.
Monday, July 16, 2012
The Real Housewives of Windsor: Sophie, Countess of Wessex
It’s hard to believe that it has been 13 years since Sophie Rhys-Jones walked down the aisle at St. George’s Chapel, Windsor and walked out as HRH, The Countess of Wessex. From the beginning, Sophie seemed determined to do things differently than previous Windsor Wives and for a while it looked like she might succeed. She was going to be a working wife, continuing to pursue her career in PR, while fulfilling royal duties as needed. She even talked of putting of having royal offspring while she and Edward enjoyed married life. Over the past 13 years, Sophie has weathered a host of storms including infertility, racy photos, questions about her business and a tabloid scandal that rocked the monarchy but Sophie came through relatively unscathed and has even taken the former Kate Middleton under her wing to teach her the ropes.
When her relationship with Prince Edward was first revealed to the public, Sophie was often compared to Princess Diana. Both were tall, leggy blondes with short hair and English rose complexions, close in age (Diana was born in 1961, Sophie in 1965), but the resemblance was only on the surface. While Diana came from an aristocratic background, Sophie came from a decidedly middle-class one. Her father, Christopher, was a successful retired tire salesman, and her mother Mary was a secretary. Sophie’s mother even took in typing at home to help send her and her brother David to Dulwich Preparatory School and then to West Kent College.
While Diana used to joke that she was “thick as a plank,” Sophie obtained 8 O-levels and 2 A-levels in English and Law. Diana’s parents famously split up when Diana was little; Sophie’s parents were happily married until her mother’s death in 2005. Before her marriage, Sophie trained as a secretary and had a successful career in public relations, while Diana flitted from one low-paying job after another. Diana was a very immature 20 years old when she married Prince Charles after a short courtship. Sophie was a mature woman of 34 who had dated her prince for over five years before she walked down the aisle at St. George’s Chapel, Windsor. Diana and Fergie’s family had royal connections stretching back centuries, Sophie’s only connection was that she was descended from the 1st Viscount Molesworth, a 17th century diplomat with links to the Stuart Kings of England and the Queen Mother, making Sophie and Edward cousins of sorts. While Diana had to contend with the continued presence of Camilla Parker-Bowles in her husband’s life, Sophie had to contend with rumors that Prince Edward was gay.
Sophie even met her Prince like other modern couples, through her job. The couple met at a strategy meeting to discuss The Real Tennis Challenge, an event to raise funds for the Duke of Edinburgh’s scheme in 1993. Sophie later ended up standing in for Sue Barker for the photo-call with Edward, her hand resting lightly on his shoulder. She expressed interest in the game of ‘real tennis’ (the version that Henry VIII would have played) which was Edward’s sporting passion. Intrigued, Edward asked her out. Somehow they managed to keep the relationship secret for three months before the tabloids found out.
To the royal family, Sophie must have seemed like a breath of fresh air. They were under pressure when she came on the scene. The monarchy was facing criticism from over everything from the Civil List, whether the Queen should pay taxes, as well as the disastrous marriages of the royal children. Sophie was neither a compassionate fashion icon like Diana nor a loose cannon like Sarah Ferguson. “You wouldn’t notice her in a crowd,” the Queen was overheard telling the Queen Mother and Princess Margaret. Sophie was seen to be unthreatening, a mixture of solid middle-class conventionality mixed with media modernity. Colleagues from work described her as always game for a laugh and down to earth. The editor of OK! Magazine, one of her clients, said “She’s not a girl of extremes and that’s essential to her character. She’s a person who can cope.” Together Sophie and Edward seemed as sexy and exciting as bread pudding. Sophie got along with most of the Royal Family especially Prince Philip but also Princess Anne who had never befriended either of her two previous sisters-in-law. Princess Diana allegedly called Sophie, “little Miss Goody Two Shoes,” behind her back.
The couple announced their engagement their engagement in January of 1999. At the press conference, the couple held hands affectionately as they showed off Sophie’s ring. Unlike his older brother Prince Charles, who famously declared, ‘whatever in love means,’ Edward said, “We are the best of friends and we happen to love each other very much.’ When asked if she found the prospect of joining the Royal Family daunting, Sophie answered honestly, ‘It is slightly nerve-racking in many ways. But I am ready for it now and I am fully aware of the responsibilities.’ Sophie had time to get a good look at royal life over the past several years. She’d been invited to join the Queen for family holidays at Windsor, Balmoral and Sandringham. A blind eye was turned when Sophie spent the night with Prince Edward at Buckingham Palace. She was even given her own pass to come and go as she pleased. She became well acquainted with the “men in grey” who had made Diana and Fergie’s lives as Royals so difficult. Both Diana and Sarah were jealous that Sophie was getting special treatment they had been thrown to the wolves. Prince Edward had even taken the step of sending an open letter to the press asking that they back off of Sophie. Sophie seemed almost too good to be true.
Three weeks before wedding, the first scandal hit the headlines. London's biggest tabloid, The Sun, printed a topless picture of Sophie. What should have been a tempest in a teapot became a national uproar in the wake of Princess Diana's death, which was widely blamed on Fleet Street's disregard for royal privacy. The outcry was so enormous the tabloid Sun actually issued a groveling apology. The 11-year-old snapshot showed Sophie gallivanting with radio disc jockey Chris Tarrant during a 1988 business trip to Spain. At the time, Sophie was working for Capital Radio as a PR executive. The picture showed Tarrant pulling up a laughing Sophie’s bikini top, exposing one breast. The photographer, Kara Noble, was paid £40,000 for the photo but in the backlash after their publication, she was sacked from her job as a disc jockey. While the scandal was tame compared to the pictures of a topless Fergie having her toes sucked in the South of France, the publication signaled the end of the honeymoon between Sophie and the Press.
The nuptials of Sophie and Edward on June 19, 1999 were a much more low-key affair than his siblings’ weddings, which took place at Westminster Abbey and St. Paul’s Cathedral. Since all three of those weddings ended in divorce, perhaps Prince Edward was hedging his bets by getting married at Windsor. Whatever the reason, Edward and Sophie had made it clear that their wedding was not to be a state occasion. On his wedding day, he was created The Earl of Wessex. Sophie’s new title would be HRH The Countess of Wessex. Eventually the plan was that after the Queen and the Duke of Edinburgh’s death, Edward would inherit his father’s title. The wedding was attended by 560 guests and an estimated 200 million viewers around the world. Some commentators called it the “people’s wedding,” and 8,000 people were picked at random and invited into the castle grounds.
Unlike the over-the-top 80’s confections worn by Diana and Sarah, Sophie wore a simple dress made of hand-dyed silk organza and silk crepe, with long sleeves and the detail consists of rows of pearls and crystal beading around the neck, sleeves and train, with further beading down the back and front of the dress-coat. 325,000 cut-glass and pearl beads were sewn on the dress, which was corseted, with a V-neck. To accompany the dress, the bride also wore a black-and-white pearl necklace, interspersed with white gold rondels, and a matching pair of black-and-white pearl drop earrings, designed by Prince Edward and made by Asprey and Garrard as a wedding gift from Edward. Sophie wore a diamond tiara, from the Queen's private collection, consisting of three open-work scroll motifs, designed and re-modeled by the Crown Jeweler, David Thomas, at Asprey and Garrard.
Soon after their wedding, it was announced that the royal couple would be balancing their professional lives with their royal duties. The Queen was said to be behind the couple’s decision. The couple took a 150 year lease on the 57 room Bagshot Park in Surrey, paying £5 million pounds for a property that on the open market would be worth at least 6 times as much. It is one of the largest Royal homes; even Prince Charles’s beloved Highgrove is not as big. Prince Edward went back to work at the moderately successful production company that he’d started in 1993, Ardent Productions while Sophie continued on with her PR firm RJH. But from the beginning there were questions about whether royalty and commerce should mix. Even before the wedding, Sophie was accused of using her relationship with Edward to drum up business. The longer her romance with Edward continued, the more her career seemed to flourish.
Her critics said a big “I told you so,” when in 2001, an undercover reporter for the tabloid News of the World, Mazher Mahmood, posing as an Arab sheikh, recorded Sophie making disparaging remarks about Cherie Blair as "absolutely horrid, horrid, horrid" and criticized the prime minister's leadership style as "too presidential". It was also claimed that she boasted that she was the Royal family’s savior and calling the Queen ‘the old dear.’ It also appeared that Sophie was using her royal connections to drum up business. The story was picked up by the Daily Mail and other media outlets, humiliating the Countess. Although Buckingham Palace issued a statement suggesting that the reported comments were ‘selective, distorted and in several cases, flatly untrue,’ the damage was done. Sophie herself issued a statement that read, that she regretted the embarrassment she had caused after being taken in by the reporter's scheme. “I am deeply distressed by the carrying-out of an entrapment operation on me and my business but I also very much regret my own misjudgment in succumbing to that subterfuge.” For a supposedly smart and savvy business woman, it never seems to have occurred to Sophie to check out her new potential client. Landing such a lucrative account seemed to outweigh her common sense. Unlike Fergie who could at least claim alcohol as an excuse, Sophie drank nothing but mineral water during the meeting.
The news brought back memories of ‘Squidgygate’ and ‘Tampongate’ when the Wales’s phone calls were taped and then published in the tabloids. Sophie compounded her error by sending personal letters of apology to Blair, Hague and Prince Charles. The tabloid turned over the tapes to Buckingham Palace in exchange for a 5 page interview with Sophie, in which she discussed IVF & Edward’s sexuality. Instead of being a breath of fresh air, Sophie was in danger of been seen as no better than her predecessors. Her partner resigned but Sophie was hoping to ride it out but clients began to leave, outraged by publicity. Later that fall, Prince Edward got into trouble for filming at St. Andrew’s University as his nephew Prince William matriculated for a documentary. In 2002, both the Prince Edward and his wife announced that they would quit their business interests to focus on royal duties full time and to aid the Queen during her Golden Jubilee. To take some of the sting out having to give up their careers, the Queen increased the annual allowance to £250,000, essentially paying them not to work.
Sophie, by all accounts, was devastated at having to give-up the business that she had worked so hard at developing for a life of ribbon-cutting and garden parties at Buckingham Palace. She had founded RJH in 1996 with her business partner Murray Harkin, and had been a dedicated career woman before her marriage. The company had a prestigious client list that included the Lanesborough Hotel in London, Boodles & Dunthorne, Thomas Goode China, DFS Furniture chain, Rover Cars, and the Banyan Tree Hotel in Phuket, Thailand. According to an article in London’s The Daily Mail, the company was in talks to sell the business for £3.5 million (8 years later the company folded owing £1.7 million). However devastated she might have been, she also seemed resigned that if she wanted her marriage to work, she would have to make a success of her life as a royal instead. There were some who took great delight in her downfall, who felt that Sophie had developed a case of ‘red carpet fever’ when she married the Queen’s youngest son, that she got caught up with being a member of the Royal Family. She’d once remarked that she was the ‘second lady of the land’ and apparently had the attitude that went along with it.
If that wasn’t bad enough, Sophie also had problems conceiving. In December of 2001, Sophie was brought to King Edward VII Hospital after complaining that she didn’t feel well. It was soon discovered that she was suffering from an ectopic pregnancy. She lost both the baby and an ovary. Two years later, she went into premature labor, resulting from a placental eruption, giving birth to a daughter Lady Louse on November 8, 2003. Sophie had to have a caesarian, and it was touch and go for a while for both mother and daughter. She lost a considerable amount of blood, and was said to be 20 minutes away from death. And then their daughter, Louise, was born with extropia, an eye condition that left her with one eye turning outwards. Longing for a second child, the couple went through a number of unsuccessful IVF treatments, before conceiving their son James, Viscount Severn (born December 17, 2007), naturally after almost four years of trying. It was an emotionally devastating time for Sophie, who had to watch several women on staff at the Palace give birth, while she struggled to conceive. Neither children will either have or use the style HRH at their parents’ request. Both Sophie and Edward wish for them to have as normal an upbringing as possible.
Through it all, the Queen has been a huge supporter of Sophie. They share a strong bond and an interest in military history, and horses. Sophie is reportedly the first of The Queen’s daughters-in-law with home she has enjoyed a permanently warm relationship. While The Queen’s relationship with Camilla has thawed, they will never truly be close, and so far Prince Andrew has declined to remarry after his divorce from Fergie. The Queen even went so far as to pay a secret visit to Sophie when she was in the hospital after the traumatic birth of Lady Louise which was unprecedented. They became even closer after Sophie lost her mother to cancer in 2005. The Queen and Sophie take regular horseback rides around Windsor Great Park, and the Queen has even been known to pop around for tea at Bagshot Park unannounced. In 2010, Sophie was made a Dame Grand Cross of the Royal Victorian Order. Honorees are chosen by the Queen personally for this honor rather than recommended by the Prime Minister.
Now 47, Sophie has proved to be a valuable member of the Royal Family. Unlike the Duchess of York who keeps making the same mistakes over and over again, but expecting a different result, Sophie learned from her earlier mistakes, and has not put a foot wrong since. She has even stepped it up fashion-wise in recent years, showing off a trimmer figure, and more stylish wardrobe of tall hats, and platform shoes. Articles in such diverse publications as Hello Magazine, The Telegraph and Majesty Magazine have all remarked on her transformation over the years. Another sign of how well thought of Sophie now is, she volunteered to take Kate Middleton under her wing, to show her the royal ropes after her engagement. She’s also become good friends with Princess Charlene of Monaco. Over the years, Sophie has been able to use her PR skills to good use to help the charities she’s patron of, including Born in Bradford research project, which investigates the causes of low birth weight and infant mortality.
Edward and Sophie are now the Queen’s go to Royals to represent her on overseas trips and at royal weddings. In 2011, they attended the wedding of Prince Albert II of Monaco to Charlene Wittstock. To celebrate the Queen’s Diamond Jubilee, they traveled to the Caribbean as well as a controversial trip to Gibraltar. As the Queen and Prince Philip cut back on their engagements, Sophie and Edward will no doubt continue to have a high profile until Prince William and the Duchess of Cambridge become full-time royals.
Friday, February 24, 2012
Gotham Gal Review: Paris My Sweet
Title: PARIS MY SWEET
Author: Amy Thomas
Publisher: Sourcebooks
Publication date: 2/1/2012
Pages: 304
Synopsis: Forever a girl obsessed with all things French, sweet freak Amy Thomas landed a gig as rich as the purest dark chocolate: leave Manhattan for Paris to write ad copy for Louis Vuitton. Working on the Champs-Élysées, strolling the charming streets, and exploring the best patisseries and boulangeries, Amy marveled at the magnificence of the City of Light.
Author: Amy Thomas
Publisher: Sourcebooks
Publication date: 2/1/2012
Pages: 304
Synopsis: Forever a girl obsessed with all things French, sweet freak Amy Thomas landed a gig as rich as the purest dark chocolate: leave Manhattan for Paris to write ad copy for Louis Vuitton. Working on the Champs-Élysées, strolling the charming streets, and exploring the best patisseries and boulangeries, Amy marveled at the magnificence of the City of Light.
But does falling in love with one city mean turning your back on another? As much as Amy adored Paris, there was part of her that felt like a humble chocolate chip cookie in a sea of pristine macarons. PARIS, MY SWEET explores how the search for happiness can be as fleeting as a salted caramel souffle's rise, as intensely satisfying as molten chocolate cake, and about how the life you're meant to live doesn't always taste like the one you envisioned.
Part love letter to Paris, part love letter to New York, and total devotion to all things sweet, PARIS, MY SWEET is a treasure map for anyone with a hunger for life.
Amy Thomas is a New York—based writer who, for two lucky years, got to call Paris home. In addition to working as a copywriter in advertising, she writes about food, travel, design, and fashion for various publications such as the New York Times, National Geographic Traveler, Town & Country, and Every Day with Rachael Ray. She is slightly obsessed with sweets.
Gotham Gal says: It was kind of cruel of Sourcebooks to send me a copy of Amy Thomas's memoir PARIS MY SWEET just after I'd given up sweets for Lent. Reading page after page of all the delectable treats she ate in Paris made me just want to lick the page! Like Amy, I especially adore dark chocolate. The old adage "be careful what you wish for, you just might get it," sprang to mind as I flipped through the pages. Amy adores Paris and jumps at the chance to live there only to find out that living in Paris is far different from visiting Paris.
PARIS MY SWEET brought back memories of the time that I lived in London just after college. Like Amy, my dream had alwyas been to live abroad, but in my case it was London. I was lucky enough to be able to buy a six month student work permit which enabled me to work anywhere in the UK. London wasn' t unfamiliar to me, I had spent 5 weeks the summer before my senior year of high school and a semester my junior year, but living and working there was far different from being a student. Finding a flat was a struggle, particularly since I didn't want to elnd up living with Americans (I eventually did) nor was finding a job a breeze, even though I had office skills. The four months I spent during one incredibly hot summer were some of the most difficult, frustrating and yet exhilirating experiences of my life.
Unlike me, Amy got to work on the Louis Vuitton account for Ogilvy and Mather, although incredibly LVMH didn't give the ad agency a discount for employees to shop their. How rude! It would be too easy to hate Thomas for landing such a cushy job in the City of Light but she's such an engaging narrator, not afraid to share with the reader her hopes and frustrations, that it felt like listening to a close friend over a glass of Lillet in small cafe near St. Germain. I sympathized with Amy as she spent 3 weeks having to living in a disgusting hotel near Montmartre (really Ogilvy, you couldn't have sprung for a corporate apartment?), jumped for joy when she found her dream flat, and sighed over her lack of dating prospects in Paris. I totally understood how torn she was between her new life in Paris and her old life in New York.
Her use of sweets, how both cities differ in their approach to dessert was refreshing. I especially enjoyed the section on cupcakes, from her earliest childhood memories, to how the French were interpreting an American classic. The book is very much a lighthearted romp, leavened with doses of bittersweet medicine. There were times though when I wanted Thomas to dig deeper, to share more of her experiences in Paris. For example, the differences between healthcare in the US and France, anyone who has seen the Michael Moore film, remembers the scene of the ex-pat Americans raving about French healthcare and how they never want to leave Paris. I also wanted to know more about what happened to her cat Milo, who developed bad patches. It would have been nice if Thomas had shown us the scene where she lost it at work, rather than telling us about it later.
Final Verdict: A look at the sweet side of life in New York and Paris. Don't read this book if you are on a diet!
Wednesday, August 31, 2011
Hump Day Hottie: Ashley Cowie
Wow, it's been a long time since I've had a hump day hottie, but I just had to share my new discovery, Ashley Cowie. I was scrolling through the TV guide on my DVR when the show Legend Quest popped otu at me. I've written about my love for the National Treasure movies, and this seemed like a unique combination of those movies and Dan Brown's novels. The first episode that I watched was about the Holy Grail. Sweet, I was eager to hear what he had to say compared to Dan Brown.
Well imagine my surprise when Ashley Cowie turned out to not only be a hottie but a Scottish hottie! Be still my heart. He's also a member of the Scottish Knights Templar. I'm not sure what that means but it sounds awesome. The TV show didn't disappoint, although I had the feeling that Dan Brown must be sitting in his house, counting his money, thinking 'Wow, that's even crazier than what I came up with!" Cowie's Quest tooks him from Rosslyn Chapel to Providencetown Massachussets, to Washington, DC and finally to the Statue of Liberty where he concluded that it was possible that the Freemasons (because Lord knows they have their hands in everything) melted down the Holy Grail and used the metal to forge the original torch of the Statue of Liberty. Are you with me?
That's almost insane enough to be believable. The other episodes that I watched thanks to Syfy on demand includes the search for Merlin's grave, Moses' Staff, and the Stone of Destiny which they may actually have found. There were only six episodes in this first series, but hopefully Syfy will order more. There hasn't been a show this cool since Josh Bernstein's show Digging for the Truth on the History Channel or Brad Meltzer's crazy show.
But back to Mr. Cowie. He's a photographer and a self-taught historian (sort of like me). Unfortunately he's married, which is just how my luck runs. Just when I find a man who ticks all my boxes (Scottish, interested in history, slightly bat sh*t crazy), he's not available. *Sigh* However, he's now replaced Josh Bernstein as my bit of thinking woman's crumpet. Sorry Josh! Anyway, you're looking for a six-foot tall Jewish blonde who likes the outdoors (by the way, if you haven't found her, how is that working for you? UPDATE: Josh Bernstein is getting married on Sunday to Lily Snyder who is tall, blonde and Jewish, as well as well-connected).
No, I'll settle for using Mr. Cowie as the prototype for a contemporary series that I'm thinking of working on, that would involve a loveable rogue like him. Think of the Michael Douglas character in Romancing the Stone but hotter and Scottish!
You can read more about Mr. Cowie in this interview with The Morton Report.
Monday, August 29, 2011
William and Catherine - A Royal Romance
About the Movie
William & Catherine: A Royal Romance chronicles the love story of Prince William (Dan Amboyer) and Kate Middleton (Alice St. Clair) that resulted in one of the most celebrated weddings in history. At a pivotal point in their courtship, William takes to heart the advice of his mother, the late Princess Diana (Lesley Harcourt), which she bestowed in an interview before her untimely death. The message she left for her son: hold on to the love of your life and protect it with all of your heart.
Stars Jane Alexander (Queen Elizabeth II), Victor Garber (Prince Charles), Jean Smart (Camilla Parker Bowles), Alice St. Clair (Kate Middleton), Dan Amboyer (Prince William).
Gotham Gal says - Well, you just knew that I was going to watch this didn't you? Especially with Hurricane Irene battering the East Coast, I really, truly had nothing better to watch this weekend apart from Dr. Who and several episodes of Millionaire Matchmaker (Patti really is a bitch isn't she?). This TV movie in many ways was even more laughable than the Lifetime TV movie that came out in April. I'm not even sure where to start with this one. The scene at Prince William's 21st birthday party, when Kate comes bouncing up to the Queen and introduces herself without even curtesying. The portrayal of the Middleton's as gauche, nouveau-riche idiots? Kate and the Queen playing WiFi tennis? Prince William breaking up with Kate over the telephone?The Queen trying to pronounce Kanye West? Or how about Prince Philip completely getting the Queen's genealogy wrong by calling Edward VII her great uncle? (He was her great grandfather).
The movie opens up with Prince William watching a videotape of his mother in the infamous interview with Martin Bashir (he watches this interview intermittently during the movie to show how close he was to his mother and how her death affected him). I had no problem with that. I did have a problem with them showing Prince William showing up at St. Andrew's University sans Prince Charles (which the previous movie at least managed to get right). Kate and William meet cute in the hallway when he bumps into her and she drops her laundry. Hysterical moment when he points out her knickers are still on the ground. This Kate Middleton is a barmaid at the local pub, where William drowns his sorrows trying to be normal bloke. There is the obligatory scene where Kate convinces him to stay at college which comes out of nowhere, and scenes of him dating some generic blonde named Cynthia. Of course we have the infamous fashion show, where for some reason Prince Harry shows up, looking older than William.
In this version Kate and William's relationship doesn't start until after his 21st birthday, he's too preoccupied with someone named Jenna (presumably Jecca Craig). Back at college, during their third year, he sets up a romantic dinner for two, which he burns. Kate comes to the rescue and she jumps him while they are watching a movie. The one thing I will give this movie credit for, is that at least you have some sense as to why William and Kate are attracted to each other, and why they fell in love, a huge failure of the Lifetime Movie. Where this movie fails is in their protrayal of the Middleton family. Kate comes off as completely clueless about royal etiquette as do her parents. There is no Pippa and James and no sense of how close the Middletons are, which is apparently what attracted William in the first place.
What gauls me about both these movies is that there are dozens of books and magazines that have been written about the royal couple, documenting at least the milestones in their relationship and both movies either fudge the details (because they have the cheapest budgets on the planet) or don't care. Kate didn't take the job at Jigsaw until almost a year after her graduation from college. Where was the scene of Prince William landing a helicopter on the Middleton's lawn? Kate and her family showing up at Prince William's graduation, and Carole Middleton getting slagged for chewing nicotine gum? The nights out at Bouji and Mahiki? Kate taking part in the charity race (the first movie at least got this right). The only sign of William feeling trapped is Kate pointing out a crib in a shop window. In the Hallmark movie, Kate and William get back together after they discover they are both watching the same concert in the park.
While the Hallmark movie has a more distinguished cast (Victor Garber, Jane Alexander and Jean Smart), Ben Cross was a much more believable Prince Charles than Victor Garber. Not sure what was the point of having scenes with Camilla since we never get a sense of her relationship with Prince William, Prince Harry or even the Queen. The Lifetime movie also gave you more of a sense of the time that Kate and William spent together, skiing, spending weekends at Highgrove. However, both films feature the generic friends of Prince William who don't really have names but are just filler.
I have to give this film an A for effort but a C+ for delivery.
William & Catherine: A Royal Romance chronicles the love story of Prince William (Dan Amboyer) and Kate Middleton (Alice St. Clair) that resulted in one of the most celebrated weddings in history. At a pivotal point in their courtship, William takes to heart the advice of his mother, the late Princess Diana (Lesley Harcourt), which she bestowed in an interview before her untimely death. The message she left for her son: hold on to the love of your life and protect it with all of your heart.
Stars Jane Alexander (Queen Elizabeth II), Victor Garber (Prince Charles), Jean Smart (Camilla Parker Bowles), Alice St. Clair (Kate Middleton), Dan Amboyer (Prince William).
Gotham Gal says - Well, you just knew that I was going to watch this didn't you? Especially with Hurricane Irene battering the East Coast, I really, truly had nothing better to watch this weekend apart from Dr. Who and several episodes of Millionaire Matchmaker (Patti really is a bitch isn't she?). This TV movie in many ways was even more laughable than the Lifetime TV movie that came out in April. I'm not even sure where to start with this one. The scene at Prince William's 21st birthday party, when Kate comes bouncing up to the Queen and introduces herself without even curtesying. The portrayal of the Middleton's as gauche, nouveau-riche idiots? Kate and the Queen playing WiFi tennis? Prince William breaking up with Kate over the telephone?The Queen trying to pronounce Kanye West? Or how about Prince Philip completely getting the Queen's genealogy wrong by calling Edward VII her great uncle? (He was her great grandfather).
The movie opens up with Prince William watching a videotape of his mother in the infamous interview with Martin Bashir (he watches this interview intermittently during the movie to show how close he was to his mother and how her death affected him). I had no problem with that. I did have a problem with them showing Prince William showing up at St. Andrew's University sans Prince Charles (which the previous movie at least managed to get right). Kate and William meet cute in the hallway when he bumps into her and she drops her laundry. Hysterical moment when he points out her knickers are still on the ground. This Kate Middleton is a barmaid at the local pub, where William drowns his sorrows trying to be normal bloke. There is the obligatory scene where Kate convinces him to stay at college which comes out of nowhere, and scenes of him dating some generic blonde named Cynthia. Of course we have the infamous fashion show, where for some reason Prince Harry shows up, looking older than William.
In this version Kate and William's relationship doesn't start until after his 21st birthday, he's too preoccupied with someone named Jenna (presumably Jecca Craig). Back at college, during their third year, he sets up a romantic dinner for two, which he burns. Kate comes to the rescue and she jumps him while they are watching a movie. The one thing I will give this movie credit for, is that at least you have some sense as to why William and Kate are attracted to each other, and why they fell in love, a huge failure of the Lifetime Movie. Where this movie fails is in their protrayal of the Middleton family. Kate comes off as completely clueless about royal etiquette as do her parents. There is no Pippa and James and no sense of how close the Middletons are, which is apparently what attracted William in the first place.
What gauls me about both these movies is that there are dozens of books and magazines that have been written about the royal couple, documenting at least the milestones in their relationship and both movies either fudge the details (because they have the cheapest budgets on the planet) or don't care. Kate didn't take the job at Jigsaw until almost a year after her graduation from college. Where was the scene of Prince William landing a helicopter on the Middleton's lawn? Kate and her family showing up at Prince William's graduation, and Carole Middleton getting slagged for chewing nicotine gum? The nights out at Bouji and Mahiki? Kate taking part in the charity race (the first movie at least got this right). The only sign of William feeling trapped is Kate pointing out a crib in a shop window. In the Hallmark movie, Kate and William get back together after they discover they are both watching the same concert in the park.
While the Hallmark movie has a more distinguished cast (Victor Garber, Jane Alexander and Jean Smart), Ben Cross was a much more believable Prince Charles than Victor Garber. Not sure what was the point of having scenes with Camilla since we never get a sense of her relationship with Prince William, Prince Harry or even the Queen. The Lifetime movie also gave you more of a sense of the time that Kate and William spent together, skiing, spending weekends at Highgrove. However, both films feature the generic friends of Prince William who don't really have names but are just filler.
I have to give this film an A for effort but a C+ for delivery.
Thursday, August 18, 2011
Gotham Gal Review: TOUT SWEET
Title: Tout Sweet
Author: Karen Wheeler
Pub. Date: August 2011
Publisher: Sourcebooks, Incorporated
Format: Paperback , 320pp
Synopsis: In her mid-thirties, fashion editor Karen has it all: a handsome boyfriend, a fab flat in west London, and an array of gorgeus shoes. But when her boyfriend, Eric, leaves she makes an unexpected decision: to hang up her Manolos and wave good-bye to her glamorous city lifestyle to go it alone in a run-down house in rural Poitou-Charentes, central western France.
Tout Sweet is the perfect read for anyone who dreams of chucking away their BlackBerry in favor of real blackberrying and downshifting to a romantic, alluring locale where new friendships–and new loves–are just some of the treasures to be found amongst life's simple pleasures.
About the Author: Karen Wheeler is a former fashion editor for the Mail on Sunday and current writer for the Financial Times 'How to Spend It' magazine and London's Daily Mail. Her work has appeared in the Evening Standard and You magazines, Sunday Times Style and numerous international publications. Visit Karen at www.toutsweet.net and Twitter @mimipompom1
Gotham Gal says: Sourcebooks asked me to review this book weeks ago, and due to work and putting together book proposals, I only managed to read the book this past weekend. It was just the palate cleanser that I needed after reading severa historical novels and non-fiction books in succession. This was a light, fun read that had surprising depth at times. On the surface, Wheeler has led a life that most of us would envy, she works as a beauty and fashion editor for a leading London magazine (which she does not name), filled with beautiful parties, countless shoes and dresses. When her plans to marry her handsome French boyfriend fall through, she decides at 35 to change her life. She buys a fixer-upper with no heat or hot water in a remote French village on impulse—"a long way from anyone's idea of the charming French house."
Although her relationship with her boyfriend is long over, Wheeler finds it hard to recover, especially after she finds out some devastating information that makes her question everything. What I found interesting about the book was how quickly Wheeler adapted to life in a small village where everyone knows your business. She quickly settles into a routine and makes friends incredibly easy. I was impressed by the fact that she took her time improving her French in twice weekly classes before she made the move, instead of just relying on some weird version of Franglais like some of the Europeans that she describes in the book. I found it rather strange that she lived on bread and cheese for months until she has a functioning kitchen, when she had new friends who were more than willing to feed her.
The book only became bogged down when it dealt with her dating life. It seemed like every man she met was either a heel or a loser. The book came to life when it chronicles the details of how she transformed an unloved and neglected house into a cozy home. The house in a sense serves as a metaphor for Wheeler's broken heart. As the house starts to become more like a home, Wheeler starts to heal and become more whole. Wheeler proves to have a sharp eye for social commentary, her views on the ways on which ex-pats either don't adapt to France or they try to make France more like Britain (which begs the question why some of them chose to retire in a foreign country in the first place) are priceless. Some of the scenes in the book were priceless, particularly when she makes a discovery about the hunky baker in town, and a fun weekend she spends with friends bunked down in suite at the Plaza Athenee. I almost began to envy her life, being able to breeze to London and Paris for work, and in between settled down into her cozy country village, even without a Marks and Spencer food hall (don't they one in Paris?).
This book certainly deserves a place on the shelf of any armchair traveler.
Author: Karen Wheeler
Pub. Date: August 2011
Publisher: Sourcebooks, Incorporated
Format: Paperback , 320pp
Synopsis: In her mid-thirties, fashion editor Karen has it all: a handsome boyfriend, a fab flat in west London, and an array of gorgeus shoes. But when her boyfriend, Eric, leaves she makes an unexpected decision: to hang up her Manolos and wave good-bye to her glamorous city lifestyle to go it alone in a run-down house in rural Poitou-Charentes, central western France.
Tout Sweet is the perfect read for anyone who dreams of chucking away their BlackBerry in favor of real blackberrying and downshifting to a romantic, alluring locale where new friendships–and new loves–are just some of the treasures to be found amongst life's simple pleasures.
About the Author: Karen Wheeler is a former fashion editor for the Mail on Sunday and current writer for the Financial Times 'How to Spend It' magazine and London's Daily Mail. Her work has appeared in the Evening Standard and You magazines, Sunday Times Style and numerous international publications. Visit Karen at www.toutsweet.net and Twitter @mimipompom1
Gotham Gal says: Sourcebooks asked me to review this book weeks ago, and due to work and putting together book proposals, I only managed to read the book this past weekend. It was just the palate cleanser that I needed after reading severa historical novels and non-fiction books in succession. This was a light, fun read that had surprising depth at times. On the surface, Wheeler has led a life that most of us would envy, she works as a beauty and fashion editor for a leading London magazine (which she does not name), filled with beautiful parties, countless shoes and dresses. When her plans to marry her handsome French boyfriend fall through, she decides at 35 to change her life. She buys a fixer-upper with no heat or hot water in a remote French village on impulse—"a long way from anyone's idea of the charming French house."
Although her relationship with her boyfriend is long over, Wheeler finds it hard to recover, especially after she finds out some devastating information that makes her question everything. What I found interesting about the book was how quickly Wheeler adapted to life in a small village where everyone knows your business. She quickly settles into a routine and makes friends incredibly easy. I was impressed by the fact that she took her time improving her French in twice weekly classes before she made the move, instead of just relying on some weird version of Franglais like some of the Europeans that she describes in the book. I found it rather strange that she lived on bread and cheese for months until she has a functioning kitchen, when she had new friends who were more than willing to feed her.
The book only became bogged down when it dealt with her dating life. It seemed like every man she met was either a heel or a loser. The book came to life when it chronicles the details of how she transformed an unloved and neglected house into a cozy home. The house in a sense serves as a metaphor for Wheeler's broken heart. As the house starts to become more like a home, Wheeler starts to heal and become more whole. Wheeler proves to have a sharp eye for social commentary, her views on the ways on which ex-pats either don't adapt to France or they try to make France more like Britain (which begs the question why some of them chose to retire in a foreign country in the first place) are priceless. Some of the scenes in the book were priceless, particularly when she makes a discovery about the hunky baker in town, and a fun weekend she spends with friends bunked down in suite at the Plaza Athenee. I almost began to envy her life, being able to breeze to London and Paris for work, and in between settled down into her cozy country village, even without a Marks and Spencer food hall (don't they one in Paris?).
This book certainly deserves a place on the shelf of any armchair traveler.
Friday, August 05, 2011
Gotham Gal Review: Death Takes a Holiday
Synopsis: In Death Takes a Holiday, it's just after the first World War and the loneliest of souls arrives at an Italian villa disguised as a handsome young Prince, and for the first time experiences the joys and heartbreaks of life. But when he unexpectedly falls in love with a newly engaged young woman, the mysterious stranger discovers that love may in fact be stronger than death. Directed by Tony® winner Doug Hughes (Doubt), this soaring tale of love is adapted by Tony®-winning writers Peter Stone (1776) and Thomas Meehan (Annie, The Producers, Hairspray), and features lush, romantic songs by Tony® winner Maury Yeston (Nine, Titanic).
Last night I went to see the new off-Broadway show DEATH TAKES A HOLIDAY, produced by the Roundabout Theatre company. I absolutely adore the 1934 film with Frederic March (didn't even bother to watch the remake MEET BRAD PITT), so I was anxious to see how they adapted the story. The film is based on an Italian play that was written right after the first World War when so many young men lost their lives, so there is a poignancy to the story of Death coming to Earth to take a holiday and learning about love and loss, and how what he does affects people.
Unfortunately I was very disappointed in both the show and several of the performances. My first disappointment was discovering that the lead actor, Julian Ovenden (FOYLE'S WAR, THE FORSYTHE SAGA) had to leave the show because of vocal problems. Just from seeing the stills from the show, and a brief clip, I could tell just how right he would have been for the lead role. Death should be sexy, mysterious and a bit sinister. The actor who replaced him, Kevin Early while a fine singer, just didn't have the acting chops for the role. He also looks more like a Midwestern farmer than either the Russian Prince he impersonates or Death. Jill Paice, who plays his love interest, plays Grazia as a giddy, naive woman, who flutters her hands alot and babbles on about true love. I found it hard to believe that they fell in love at first sight or that they are soulmates.
It doesn't help that the score is also unmemorable. I can't remember a single melody from the show, nothing stuck. LOVE NEVER DIES was not a great show but the title tune sticks with you, even though its annoying. One song in DEATH TAKES A HOLIDAY sounded like something that was left on the cutting room floor by the creators of the 1920's pastiche musical THE BOYFRIEND. The biggest weakness in the show, however, is the denouement. Death has told Grazia's father that he has decided not to take her with him, he goes to tell her, but she's not frightened of him after he reveals his true nature, and they embrace. End of show. She never tells her parents of her decision, or why she's going. There needs to be a song when she explains to her family why she has made the decision that she's made, and how even though she's unhappy to leave them, she's fulfilling her destiny. The 1934 film has such a scene where Death and Grazia go off together, after she explains why.
The set was lovely and the costumes although generic 1920's were very pretty. I enjoyed some of the performances of the minor characters incuding Simon Jones and the butler, but all in all, it was a pretty dull evening.
Monday, July 11, 2011
Gotham Gal Review: IRONCLAD (2011)
IRONCLAD (2011)
Directed by: Jonathan English
Written by: Jonathan English
Erick Kastel
Stephen McDool
Cast:
James Purefoy as Marshall
Paul Giamatti as King John
Brian Cox as Albany
Mackenzie Crook as Marks
Jason Flemyng as Beckett
Derek Jacobi as Cornhill
Kate Mara as Lady Isabel
Jamie Foreman
Charles Dance - Archbishop Langton
Aneurin Barnard as Guy
Plot: A Templar knight and a ragtag band of warriors hold out for months against the hard-fought siege of Rochester Castle in 1215. Set just after King John's signing of the Magna Carta treaty, the group struggles against the King to defend the freedom iof their country.
Gotham Gal says: Well isn't that a tidy little plot summary from Wikipedia? But that basically is the entire plot of IRONCLAD. The film opens with King John signing the Magna Carta and a voice-over telling the audience that there was more to the story than previously known. IRONCLAD is what happened after the signing, when King John (Paul Giamatti relishing the chance to play a King), still pissed off at being forced to sign, decides to get back at all the barons in the kingdom because that's just the kind of douchebag that he is. He hires a band of Danish mercenaries, telling them that he will keep the Pope from Christianizing Denmark, if they help him. Oh, and he'll pay them a bunch of money as well, but apparently the whole keep the Pope out of Denmark is more important to them.
Meanwhile, Thomas Marshal (played by the delectable James Purefoy) has returned to England after many years fighting in the Holy Land. He stops at a castle belonging to the King, along with several priests. The King arrives, and because the chuch supported the barons, the priests are killed but Marshal manages to escape and make his way to Canterbury where he runs into Albany (Brian Cox) who has decided to continue the rebellion against the King. It seems that John has been killing off all the barons who signed Magna Carta and Albany is determined to stop him by taking Rochester Castle, which is located on the coast. Apparently, the French are also supposed to be making their way to England to help.
Albany manages to cobble together a group of about 6 guys along with Marshal to hold the castle. They make their way to Rochester where Cornhill is forced into helping them. From here on in, the film is one long battle scene interspersed with a few scenes of the men squabbling, learning to write their names, starving, and more squabbling. The battle scenes are incredibly bloody, body parts flying everywhere, blood spurting from every orifice. After awhile, I couldn't look at it any more, I just covered my eyes until they were over.
This is a film that requires you to check your brain at the door. Otherwise, you start wondering as I did, why Albany (D'Aubigny in real life) could only find like 6 men to help? Seriously, there had to have been more people pissed off at the king than that. Oh, and Thomas Marshal, the Knight Templar, is like a one man killing machine to the point of it being ridiculous. Although the way he wields his sword is incredibly sexy. I might have to start reading some medieval romances now after seeing this movie.
There is something of a love story, if you can call it that. Kate Mara (not to be confused with her sister Rooney) plays Lady Isabel, the wife of Cornhill (played by the great Derek Jacobi). According to Wikipedia, Megan Fox was attached at one point to play this role. Thank god she dropped out because she would have been terrible. Seriously, Megan Fox attempting an English accent? She can barely speak American English. Anywhoo, Lady Isabel is seriously horny because Cornhill who is much, much older has no interest in her other than telling her not to drink wine or do anything fun. So of course, the minute she spies Thomas Marshal, her hormones go into overdrive. See despite his vows of chastity, he just oozes testosterone what with all the killing he's been doing. Plus he's incredibly noble, he doesn't like killing, even in the name of God.
So of course, Lady Isabel has to get her some of that man candy. At first she creeps up on him while he's sharpening his sword (hint, hint). Of course, he's partially dressed, with his shirt artfully open to display one tantalizing man titty, lightly dusted with hair. While Lady Isabel salivated to reach out and touch him, so did every woman in the audience. I'm telling you it was nice to see a man objectified for a change. Of course, he tells her know, because he's a Templar and took vows and all. But Lady Isabel is not deterred, oh no. What with people dying left and right, she's determined to get some before they all get killed. This time, she decides to show him the goods by lifting up her dress. Apparently he liked what he saw because before you can say "Hail Mary," they're doing it in the barn. Not that the audience got to see anything, since nobody was getting killed. Instead, we just got a little bit of afterglow on Lady Isabel while Marshal glowered (James Purefoy gives very good glower and smoldering, man can he smolder) at her, calling what they did a sin.
Of course, all turns out well in the end, despite half the castle getting blown up (this actually happened). The French miraculously arrive in time (which didn't happen) and John is a sore loser. Again this didn't happen, in real life, the remaining occupants finally surrendered, and John died a year later, leaving his young son Henry III to continue his fight with the barons. I can't quarrel with the acting in this film. Paul Giamatti plays King John as a petty tyrant but who is very aware of the importance of the crown and wielding power. This is a King John who is not ready to give an inch or to compromise. James Purefoy has what the New York Times called an 'arresting screen presence.' He manages to say more without any words than any actor I have seen. And he's hot. Kate Mara has very little to do as Lady Isabel but be pretty and horny, which she does admirably. It was fun to see Derek Jacobi and Brian Cox together on film, particularly after having met Derek a few weeks ago. Was it worth the 'gulp' $13.00 I spent to see this film? No, not really, but it was fun nevertheless.
Gotham Gal verdict: 3 red apples.
Directed by: Jonathan English
Written by: Jonathan English
Erick Kastel
Stephen McDool
Cast:
James Purefoy as Marshall
Paul Giamatti as King John
Brian Cox as Albany
Mackenzie Crook as Marks
Jason Flemyng as Beckett
Derek Jacobi as Cornhill
Kate Mara as Lady Isabel
Jamie Foreman
Charles Dance - Archbishop Langton
Aneurin Barnard as Guy
Plot: A Templar knight and a ragtag band of warriors hold out for months against the hard-fought siege of Rochester Castle in 1215. Set just after King John's signing of the Magna Carta treaty, the group struggles against the King to defend the freedom iof their country.
Gotham Gal says: Well isn't that a tidy little plot summary from Wikipedia? But that basically is the entire plot of IRONCLAD. The film opens with King John signing the Magna Carta and a voice-over telling the audience that there was more to the story than previously known. IRONCLAD is what happened after the signing, when King John (Paul Giamatti relishing the chance to play a King), still pissed off at being forced to sign, decides to get back at all the barons in the kingdom because that's just the kind of douchebag that he is. He hires a band of Danish mercenaries, telling them that he will keep the Pope from Christianizing Denmark, if they help him. Oh, and he'll pay them a bunch of money as well, but apparently the whole keep the Pope out of Denmark is more important to them.
Meanwhile, Thomas Marshal (played by the delectable James Purefoy) has returned to England after many years fighting in the Holy Land. He stops at a castle belonging to the King, along with several priests. The King arrives, and because the chuch supported the barons, the priests are killed but Marshal manages to escape and make his way to Canterbury where he runs into Albany (Brian Cox) who has decided to continue the rebellion against the King. It seems that John has been killing off all the barons who signed Magna Carta and Albany is determined to stop him by taking Rochester Castle, which is located on the coast. Apparently, the French are also supposed to be making their way to England to help.
Albany manages to cobble together a group of about 6 guys along with Marshal to hold the castle. They make their way to Rochester where Cornhill is forced into helping them. From here on in, the film is one long battle scene interspersed with a few scenes of the men squabbling, learning to write their names, starving, and more squabbling. The battle scenes are incredibly bloody, body parts flying everywhere, blood spurting from every orifice. After awhile, I couldn't look at it any more, I just covered my eyes until they were over.
This is a film that requires you to check your brain at the door. Otherwise, you start wondering as I did, why Albany (D'Aubigny in real life) could only find like 6 men to help? Seriously, there had to have been more people pissed off at the king than that. Oh, and Thomas Marshal, the Knight Templar, is like a one man killing machine to the point of it being ridiculous. Although the way he wields his sword is incredibly sexy. I might have to start reading some medieval romances now after seeing this movie.
There is something of a love story, if you can call it that. Kate Mara (not to be confused with her sister Rooney) plays Lady Isabel, the wife of Cornhill (played by the great Derek Jacobi). According to Wikipedia, Megan Fox was attached at one point to play this role. Thank god she dropped out because she would have been terrible. Seriously, Megan Fox attempting an English accent? She can barely speak American English. Anywhoo, Lady Isabel is seriously horny because Cornhill who is much, much older has no interest in her other than telling her not to drink wine or do anything fun. So of course, the minute she spies Thomas Marshal, her hormones go into overdrive. See despite his vows of chastity, he just oozes testosterone what with all the killing he's been doing. Plus he's incredibly noble, he doesn't like killing, even in the name of God.
So of course, Lady Isabel has to get her some of that man candy. At first she creeps up on him while he's sharpening his sword (hint, hint). Of course, he's partially dressed, with his shirt artfully open to display one tantalizing man titty, lightly dusted with hair. While Lady Isabel salivated to reach out and touch him, so did every woman in the audience. I'm telling you it was nice to see a man objectified for a change. Of course, he tells her know, because he's a Templar and took vows and all. But Lady Isabel is not deterred, oh no. What with people dying left and right, she's determined to get some before they all get killed. This time, she decides to show him the goods by lifting up her dress. Apparently he liked what he saw because before you can say "Hail Mary," they're doing it in the barn. Not that the audience got to see anything, since nobody was getting killed. Instead, we just got a little bit of afterglow on Lady Isabel while Marshal glowered (James Purefoy gives very good glower and smoldering, man can he smolder) at her, calling what they did a sin.
Of course, all turns out well in the end, despite half the castle getting blown up (this actually happened). The French miraculously arrive in time (which didn't happen) and John is a sore loser. Again this didn't happen, in real life, the remaining occupants finally surrendered, and John died a year later, leaving his young son Henry III to continue his fight with the barons. I can't quarrel with the acting in this film. Paul Giamatti plays King John as a petty tyrant but who is very aware of the importance of the crown and wielding power. This is a King John who is not ready to give an inch or to compromise. James Purefoy has what the New York Times called an 'arresting screen presence.' He manages to say more without any words than any actor I have seen. And he's hot. Kate Mara has very little to do as Lady Isabel but be pretty and horny, which she does admirably. It was fun to see Derek Jacobi and Brian Cox together on film, particularly after having met Derek a few weeks ago. Was it worth the 'gulp' $13.00 I spent to see this film? No, not really, but it was fun nevertheless.
Gotham Gal verdict: 3 red apples.
Wednesday, June 15, 2011
Gotham Gal Review: Arcadia by Tom Stoppard
So last night I went to see the Broadway production of ARCADIA by Tom Stoppard which closes this Sunday. This is the first Broadway show that I have seen in god only knows how long, which is something that I'm hoping to change in the coming years (but more on that anon). I'm lucky enough to have a friend who gets TDF discounts so my orchestra ticket was less than half of the usual price although I had a restricted view.
I'm not a huge fan of Tom Stoppard, while I think he's a brilliant writer, sometimes he's too clever for his own good. He tries to cram so many ideas into a play that you don't know whether you're coming or going. I would suggest that if you are going to see any of his plays, that you read the script if it is published beforehand, or even afterwards, because there is a great deal that is just going to fly by you.
Arcadia is set in the fictional country estate of Sidley Park, in the years 1809-1812 and the present day. The events and activities of 2 modern day English scholars and the house's current residents are juxtaposed with the lives of the inhabitants who lived there 200 years in the past. In 1809, Thomasina Coverly, the precocious daughter of the house, is studying with her tutor Septimus Hodge who is a bit of a rake. Hodge is a contemporary of Lord Byron, who is mentioned constantly although he never makes an appearance. In the present day, Bernard Nightingale, a professor of English literature, matches wits with Hannah Jarvis, a writer, who is working on a book about a hermit who once resided on the grounds. Hannah is the author of a popular biography of Lady Caroline Lamb (a personal favorite of mine), rescuing her reputation as an author. Nightingale has been critical of her work. Nightingale is working on a book about Byron, in particular a mysterious chapter in his life, and thinks that the answer lies at Sidley Park Together, along with Valentine Coverly, who is a graduate student in mathematical biology, they uncover the truth about what happened in Thomasina's time, or what Bernard thinks happens. The play deals with a number of things including professional jealousy, evidence and truth when it comes to historical research, it skirts the line between being a tragedy and being a comedy.
The play in both the past and the present takes place in one room in the house, the garden front room. The play started off slowly for me, I wasn't sure what was going on, since there is a great deal of talk about Newton and the meaning of the phrase 'carnal embrace.' I won't go into a whole summary of what the play is about, but you can read a summary here. Out of all of the Tom Stoppard plays that I have seen (The Real Thing, Rock and Roll, Invention of Love, Rosencrantz and Guildenstern are Dead, Hapgood), I think that Arcadia is probably my favorite. Maybe because it contains several of my favorite things, Lord Byron, an English Country estate, and the Regency era. He would probably deny it, but I think Mr. Stoppard is a closet romantic.
The cast was Anglo-American, most of the actors were American, but three of them were English. As someone who has spent a great deal of time in Britain, I had no problem picking out which three, without looking at my program. My favorite character in the whole play is Thomasina Coverly (played by Bel Powley who is English). She is quite possibly the cleverest person in the room, which if you know anything about the Regency, was not necessarily a good thing, in terms of marriage. She's incredibly precocious in that annoying way that child geniuses are, but also surprisingly vulnerable. Bel Powley's performance was touching, exuberant, and funny. One of my favorite scenes in the play is toward the end when she gets Septimus Hodge, her tutor, to teach her how to waltz. It's particularly poignant because we know her fate.
Septimus Hodge (played by Rufus Sewell in the original production, and Tom Riley in this production) is a wanna be Byron but he actually has a conscience, which Byron clearly did not. His role is that of the forbidden (I don't know why more Regency romance novels don't feature female pupils in love with their hot tutor). Lia Williams (who I saw in David Hare's Skylight many moons ago) plays Hannah Jarvis, teh modern day writer who actually does her historical research and doesn't cut corners the way Bernard Nightingale does. The weakest link in the cast for me was Billy Crudup (who I admit I haven't liked much since he left Mary Louise Parker when she was 8 months pregnant for Claire Danes) who plays Bernard Nightingale. He chews his words while speaking really fast, which means that a great deal of his lines got lost. Stoppard like Sondheim needs crisp, clear diction. He certainly had the right attitude to play the role, although his accent kept slipping. Raul Esparza (Valentine Coverly in the present day), however, managed to speak at just the same amount of speed as Crudup, but I could understand every word that he said. Meryl Streep's daughter Grace Gummer plays Chloe Coverly, and unfortunately she looks so much like her sister Mamie that for a moment, I thought it was her on stage. She also has a similar quality to her acting, and lacks the facility for accents that her mother has.
The production was well worth seeing although I had mixed feelings about some of the acting.
For another more personal viewpoint on the production, head on over here to author Leanna Renee Hieber's review.
I'm not a huge fan of Tom Stoppard, while I think he's a brilliant writer, sometimes he's too clever for his own good. He tries to cram so many ideas into a play that you don't know whether you're coming or going. I would suggest that if you are going to see any of his plays, that you read the script if it is published beforehand, or even afterwards, because there is a great deal that is just going to fly by you.
Arcadia is set in the fictional country estate of Sidley Park, in the years 1809-1812 and the present day. The events and activities of 2 modern day English scholars and the house's current residents are juxtaposed with the lives of the inhabitants who lived there 200 years in the past. In 1809, Thomasina Coverly, the precocious daughter of the house, is studying with her tutor Septimus Hodge who is a bit of a rake. Hodge is a contemporary of Lord Byron, who is mentioned constantly although he never makes an appearance. In the present day, Bernard Nightingale, a professor of English literature, matches wits with Hannah Jarvis, a writer, who is working on a book about a hermit who once resided on the grounds. Hannah is the author of a popular biography of Lady Caroline Lamb (a personal favorite of mine), rescuing her reputation as an author. Nightingale has been critical of her work. Nightingale is working on a book about Byron, in particular a mysterious chapter in his life, and thinks that the answer lies at Sidley Park Together, along with Valentine Coverly, who is a graduate student in mathematical biology, they uncover the truth about what happened in Thomasina's time, or what Bernard thinks happens. The play deals with a number of things including professional jealousy, evidence and truth when it comes to historical research, it skirts the line between being a tragedy and being a comedy.
The play in both the past and the present takes place in one room in the house, the garden front room. The play started off slowly for me, I wasn't sure what was going on, since there is a great deal of talk about Newton and the meaning of the phrase 'carnal embrace.' I won't go into a whole summary of what the play is about, but you can read a summary here. Out of all of the Tom Stoppard plays that I have seen (The Real Thing, Rock and Roll, Invention of Love, Rosencrantz and Guildenstern are Dead, Hapgood), I think that Arcadia is probably my favorite. Maybe because it contains several of my favorite things, Lord Byron, an English Country estate, and the Regency era. He would probably deny it, but I think Mr. Stoppard is a closet romantic.
The cast was Anglo-American, most of the actors were American, but three of them were English. As someone who has spent a great deal of time in Britain, I had no problem picking out which three, without looking at my program. My favorite character in the whole play is Thomasina Coverly (played by Bel Powley who is English). She is quite possibly the cleverest person in the room, which if you know anything about the Regency, was not necessarily a good thing, in terms of marriage. She's incredibly precocious in that annoying way that child geniuses are, but also surprisingly vulnerable. Bel Powley's performance was touching, exuberant, and funny. One of my favorite scenes in the play is toward the end when she gets Septimus Hodge, her tutor, to teach her how to waltz. It's particularly poignant because we know her fate.
Septimus Hodge (played by Rufus Sewell in the original production, and Tom Riley in this production) is a wanna be Byron but he actually has a conscience, which Byron clearly did not. His role is that of the forbidden (I don't know why more Regency romance novels don't feature female pupils in love with their hot tutor). Lia Williams (who I saw in David Hare's Skylight many moons ago) plays Hannah Jarvis, teh modern day writer who actually does her historical research and doesn't cut corners the way Bernard Nightingale does. The weakest link in the cast for me was Billy Crudup (who I admit I haven't liked much since he left Mary Louise Parker when she was 8 months pregnant for Claire Danes) who plays Bernard Nightingale. He chews his words while speaking really fast, which means that a great deal of his lines got lost. Stoppard like Sondheim needs crisp, clear diction. He certainly had the right attitude to play the role, although his accent kept slipping. Raul Esparza (Valentine Coverly in the present day), however, managed to speak at just the same amount of speed as Crudup, but I could understand every word that he said. Meryl Streep's daughter Grace Gummer plays Chloe Coverly, and unfortunately she looks so much like her sister Mamie that for a moment, I thought it was her on stage. She also has a similar quality to her acting, and lacks the facility for accents that her mother has.
The production was well worth seeing although I had mixed feelings about some of the acting.
For another more personal viewpoint on the production, head on over here to author Leanna Renee Hieber's review.
Labels:
Arcadia,
Broadway Rocks,
Tom Stoppard
Monday, June 13, 2011
Gotham Gal Review: Finding Sarah
FINDING SARAH: From Royalty to the Real World
OWN Network
Sundays at 9:00 p.m.
About the show (from the OWN Network site): Candid and unprecedented, the six-part television series Finding Sarah documents Sarah Ferguson, the Duchess of York's emotional struggle to rebuild her life. In the series, viewers will hear the Duchess' personal story and witness her unforgettable journey of healing and self-improvement.
To guide her through the ultimate mind/body makeover, she seeks guidance from traditional and non-traditional experts - a shaman, life coach, trainer and a horse whisperer - along with Oprah's "All Stars," Dr. Phil and Suze Orman.
Together they help the Duchess address tough personal issues, ranging from finances to self esteem to physical fitness. Calling upon her inner-strength and resilience, the Duchess comes to terms with past missteps, tackles major life changes and even attempts an unforgettable physical challenge in the Arctic.
Through it all, the Duchess hopes that as she heals and finds the true Sarah, and that others will learn from her story.
My thoughts: I wasn't sure at first whether or not I was going to watch There was quite a good deal in the newspapers last week about Sarah's claims of abuse, which were blown out of proportion, frankly. During her talks with Dr. Phil, she mentions what we might call emotional abuse, but certainly it wasn't intended that way. Her mother Susan spanked her as a child, which was not uncommon in the 1960's, part of that whole 'spare the rod, spoil the child' ethos. And both her parents were quite tough emotionally, they didn't condone a great deal of whinging or crying from their children, and they seem not to have been demonstrative in their affections. From all accounts, Sarah was quite an emotional child, and what her parents said to her, calling her a sheep's arse, selling her ponies (which really was obnoxious on her father's part, but then he was going to through a divorce and wasn't really thinking about how it affected his children).
Sarah's problems seem to have stemmed from her mother's running off with the handsome Argentinian polo player Hector Barrantes. Back then, it wasn't again uncommon for upper class father's to get custody of their children in the event of a divorce (witness Princess Diana's father Earl Spencer getting custody of his four children), particularly when there was adultery on the part of the mother. I'm sure that Sarah's mother Susan believed that because her daughters were teenagers, that her leaving would be less traumatic, than it was say for Diana whose mother left when she was a small child.
I really began to feel for Sarah, I know what is like to have well-meaning parents, who loved me, say unkind things without realizing how it might affect me. I also understand, as I'm sure quite a lot of viewers do, what it's like to turn to food for comfort. On the one hand, I think the Duchess is very brave to finally at the age of 51 to want to change her life for the better and to get a grip. And she seems to have done a remarkable job with her daughters, of showing them love and affection and boosting their confidence, particularly since the press has been remarkably on kind at times about their fashion choices and their weight. On the other hand, I find it hard to listen to her try to blame the whole of last year's fiasco (the scandal of her selling access for cash) solely on The News of the World. She keeps repeating this story that she was only trying to get money for a friend, when it is clear from the video that she's selling access to Prince Andrew for cash. The undercover reporter did not make her say those things.
I also found it hard to stomach that she has been so fiscally irresponsible over the years. She had a job for several years before she married into the royal family, so presumably she paid rent, bought food, etc. At some point, someone should have sat her down (particuarly after she got into debt the first time) and taught her how to budget, invest her money etc. She was awfully cagey with Suze Orman about her divorce settlement from Prince Andrew. We all know pretty much what Princess Diana received after her divoce, it makes me wonder how the royal family had her over a barrel on that one.
The other thing I found interesting was that she mentioned how little she saw Prince Andrew while they were dating. Apparently she saw him less than Princess Diana did when Prince Charles was courting her, which again makes me wonder, why would you marry a man that you knew so little about? Was she just swept up in the romance of it, and never really stopped to think what she was getting into. Not so much the bit about marrying into the royal family, but marrying a naval officer. If she saw him so little during their courtship, did it not occur to her that this would continue after they were married?
Her enthusiasm and boisterousness seems to have made her jump in with both feet without ever thinking about the consequences of her actions. What I was struck by was her realization that she has been extraordinarily lucky in her life. She and Andrew have managed to co-parent successfully after their divorce, there seems to have been no bitterness on either side. He jumped in to offer her a place to live after last year's scandal, and they continued to live together for several years after their divorce. Oprah came to her rescue and offered her the chance to gain the tools to change her life (of course it wasn't totally altruistic). After her divorce, she managed to capitalize on a whole range of jobs to pull herself out of debt, and she also set up a charitable venture as well. So it's frustrating and heartbreaking that in the midst of all this, she has such self-loathing for herself.
Sarah comes across as likeable, vulnerable, and incredibly clueless. She claims that after she got divorced, she didn't know how to do anything. I find that hard to believe, considering that for 8 years, she supported herself before she got married (well she had a job anyway) and she was only married to Prince Andrew for 6 years before they seperated in 1992 (they divorced in 1996). I've never met a woman of her age who was more child-like in her need to please people and to be taken care off, instead of standing on her own two feet.
I'm looking forward to seeing if this journey actually creates positive changes in her life, and if they continue after the cameras stop rolling. Will we need to have a Season 2?
Thursday, June 09, 2011
Gotham Gal Review: Witches of East End
•WITCHES OF EAST END
Author: Melissa de la Cruz
Pub. Date: June 2011
•Publisher: Hyperion
•Format: Hardcover , 288pp
From the back cover:
The three Beauchamp women--Joanna and her daughters Freya and Ingrid--live in North Hampton, out on the tip of Long Island. Their beautiful, mist-shrouded town seems almost stuck in time, and all three women lead seemingly quiet, uneventful existences. But they are harboring a mighty secret--they are powerful witches banned from using their magic. Joanna can resurrect people from the dead and heal the most serious of injuries. Ingrid, her bookish daughter, has the ability to predict the future and weave knots that can solve anything from infertility to infidelity. And finally, there's Freya, the wild child, who has a charm or a potion that can cure most any heartache.
For centuries, all three women have been forced to suppress their abilities. But then Freya, who is about to get married to the wealthy and mysterious Bran Gardiner, finds that her increasingly complicated romantic life makes it more difficult than ever to hide her secret. Soon Ingrid and Joanna confront similar dilemmas, and the Beauchamp women realize they can no longer conceal their true selves. They unearth their wands from the attic, dust off their broomsticks, and begin casting spells on the townspeople. It all seems like a bit of good-natured, innocent magic, but then mysterious, violent attacks begin to plague the town. When a young girl disappears over the Fourth of July weekend, they realize it's time to uncover who and what dark forces are working against them.
With a brand-new cast of characters, a fascinating and fresh world to discover, and a few surprise appearances from some of the Blue Blood fan favorites, this is a page-turning, deliciously fun, magical summer read fraught with love affairs, witchcraft, and an unforgettable battle between good and evil.
Gotham Gal reports: Melissa de la Cruz's new series is an intoxicating brew, a heady mixture of Norse mythology, and old-fashioned story-telling. I wasn't sure what to make of this book when I first started reading it. I received an ARC from the publisher, which indicated that the book was being positioned for the YA market that gobbled up her previous series The Blue Bloods and The Au Pairs. However this book is more suited for more mature teens. It's much more adult in many ways than her other books. de la Cruz's writing is much more assured and mature than her earlier works. Witches of East End is very reminiscent of Alice Hoffmann's work, particularly her book Practical Magic.
My only quibble with the story is that she uses a real location Gardiner's Island in the book as well as the Gardiner family (who actually still own the island), one of whom is the villain in the book. Granted, her Gardiner's are fictional but it would like writing a novel and creating a whole other branch of the Roosevelt or Vanderbilt family. The Gardiners have owned that island since the late 17th century. It's perfect for the story, but it took me out of the reality that she was creating. That's just me and readers who don't know who the Gardiner family is and their relation to Long Island won't really care.
Author: Melissa de la Cruz
Pub. Date: June 2011
•Publisher: Hyperion
•Format: Hardcover , 288pp
From the back cover:
The three Beauchamp women--Joanna and her daughters Freya and Ingrid--live in North Hampton, out on the tip of Long Island. Their beautiful, mist-shrouded town seems almost stuck in time, and all three women lead seemingly quiet, uneventful existences. But they are harboring a mighty secret--they are powerful witches banned from using their magic. Joanna can resurrect people from the dead and heal the most serious of injuries. Ingrid, her bookish daughter, has the ability to predict the future and weave knots that can solve anything from infertility to infidelity. And finally, there's Freya, the wild child, who has a charm or a potion that can cure most any heartache.
For centuries, all three women have been forced to suppress their abilities. But then Freya, who is about to get married to the wealthy and mysterious Bran Gardiner, finds that her increasingly complicated romantic life makes it more difficult than ever to hide her secret. Soon Ingrid and Joanna confront similar dilemmas, and the Beauchamp women realize they can no longer conceal their true selves. They unearth their wands from the attic, dust off their broomsticks, and begin casting spells on the townspeople. It all seems like a bit of good-natured, innocent magic, but then mysterious, violent attacks begin to plague the town. When a young girl disappears over the Fourth of July weekend, they realize it's time to uncover who and what dark forces are working against them.
With a brand-new cast of characters, a fascinating and fresh world to discover, and a few surprise appearances from some of the Blue Blood fan favorites, this is a page-turning, deliciously fun, magical summer read fraught with love affairs, witchcraft, and an unforgettable battle between good and evil.
Gotham Gal reports: Melissa de la Cruz's new series is an intoxicating brew, a heady mixture of Norse mythology, and old-fashioned story-telling. I wasn't sure what to make of this book when I first started reading it. I received an ARC from the publisher, which indicated that the book was being positioned for the YA market that gobbled up her previous series The Blue Bloods and The Au Pairs. However this book is more suited for more mature teens. It's much more adult in many ways than her other books. de la Cruz's writing is much more assured and mature than her earlier works. Witches of East End is very reminiscent of Alice Hoffmann's work, particularly her book Practical Magic.
My only quibble with the story is that she uses a real location Gardiner's Island in the book as well as the Gardiner family (who actually still own the island), one of whom is the villain in the book. Granted, her Gardiner's are fictional but it would like writing a novel and creating a whole other branch of the Roosevelt or Vanderbilt family. The Gardiners have owned that island since the late 17th century. It's perfect for the story, but it took me out of the reality that she was creating. That's just me and readers who don't know who the Gardiner family is and their relation to Long Island won't really care.
Tuesday, May 24, 2011
Gotham Gal Review: Midnight in Paris
/Title: Midnight in Paris
Theatrical Release Date: 05/20/2011
Director(s): Woody Allen
Distributor(s): Sony Pictures Classics
MPAA Rating: Not Yet Rated for some sexual references and smoking.
Genre(s): Comedy
This past weekend, I took myself off to the Cineplex along with my friend Mala to see Woody Allen's new film Midnight in Paris. Now I can't remember the last time I actually spent money to see a Woody Allen film, maybe way back when Match Point came out. Truthfully, I have not found his most recent oeuvre, apart from Vicky, Christina Barcelona to be either funny or interesting for that matter (Don't even get me started on the dreck he directed starring Ewan McGregor and Colin Farrell). Despite my mixed feelings about Mr. Allen, I decided to give this film a shot for two reasons; it stars Owen Wilson and it's set in Paris. And not just Paris, but Paris in the 1920's, a period of history that I have been reading alot about lately, first during my research for SCANDALOUS WOMEN (Josephine Baker, Zelda Fitzgerald) but also in Paula MacLean's THE PARIS WIFE. I'm a huge 1920's buff so I had to see this film. If nothing else, I could look at the scenery for two hours. And indeed the first minute or so of the film is like a Valentine to Paris.
Well, I'm happy to report that Midnight in Paris was delightful. Owen Wilson plays Gil, a successful screenwriter, who is dissatisfied with both his professional career and (as we later see) his personal life. He's on a trip to Paris, with his fiancee Inez (played by Rachel McAdam) and her parents (Kurt Fuller and Mimi Kennedy) who are celebrating a business deal. While Inez is more concerned with materialistic things, Gil is full of nostalgia. See, he once lived in Paris after college and has regretted leaving ever since. He dreams of renting a little garret and writing the great American novel. Inez, of course, things the whole idea is ridiculous. How can you get a great table at the Ivy, if you are a starving artist.
One night, after Inez and two of her friends Paul (played to perfection by Michael Sheen) go off dancing, Gil decides to walk back to their hotel (the Hotel Bristol). He gets lost and while he's trying to figure out which direction to go, an antique car pulls up and F. Scott Fitgerald (Tom Hiddleston) and Zelda (Allison Pill) invite him to a party. At first Gil thinks he's stumbled into some elaborate costume party (Cole Porter is even playing the piano) but it turns out to be all too real. He even meets his ideal Ernest Hemingway (Corey Stoll who almost steals the movie) who tells Gil that he should have Gertrude Stein read his novel. Gil can't believe his luck. Gil is giddy at the idea that he gets to experience a time in Paris that he's only read about and has always wanted to experience. In his mind, Paris in the 1920's is the ultimate.
Instead of just telling Inez what happened, Gil decides to show her, but she gives up before the car shows up. Gil not only gets to meet Gertrude Stein (Kathy Bates) but he also meets a young model Adriana (played by the beautiful Marion Cotillard) who is having an affair with Picasso. There is an attraction between the two of them, but of course, Picasso (and Hemingway) not to mention Inez in the present complicate matters. Gil slowly starts to realize how dissatisfying his life really is, and how much he wants to seize the dream of writing in Paris.
Gil's novel features a protagonist who owns a nostalgia shop, a place where people can buy relics of the past (how this different from an antique shop I have no idea). Inez, of course, thinks the whole idea is whooey, she's firmly rooted in the present. Gil dreams of staying in the 1920's, hanging out with Salvador Dali (Adrien Brody), but Adriana dreams of living in the Belle Epoque. Soon Gil realizes that this yearning is just a symptom of his dissatisfaction, not a cure.
Midnight in Paris is not just about a love affair with a woman (although Gil is spoiled for choices with not just one but three love interests), or a city, but also another time. How many of us read novels set in another time period, or watch Masterpiece Theatre (Downtown Abbey) and wax nostalgic about how much better life was back then. We see the beautiful costumes, and the gorgeous houses, but we rarely think about what life was really like, if you weren't rich. I know that I've often thought about what it would be like to live in New York in the 1920's. Prohibitons, Mobsters, Vogue Magazine, Chanel, Gershwin, Cole Porter, the Stork Club. Of course, the reality is far different than the way that I picture it in my head. Clubs were segregated, mobsters carry guns, and bathtub gin could kill you.
The past seems so much more vivid to Gil and Adrienne, so much more vivid and vibrant in our imaginations, and then it evaporates when we think of the reality of what it would really be like. We ignore the reality of it, that there was no novocaine, women had few rights, if you were diagnosed with cancer it was pretty much a death sentence. The past is so seductive because we weren't there, we don't know what it was really like. I know that growing up whenever my parents used wax nostalgic about what New York used to be like, I would feel pangs of longing that I never got experience seeing the Brooklyn Dodgers at Ebbets Field or having an egg cream. “Midnight in Paris,” is wonderfully romantic film, even though it acknowledges the disappointment that goes inevitably goes along with being a romantic.
My only quibble with the film is that the women seem to be underwritten. Gil's fiancee Inez is a castrating shrew, I had a hard time understanding why Gil fell in love with her and proposed, Adriana is pretty much a cipher, and Carla Bruni is pretty bland as the tour guide. The only vibrant women are Gertrude Stein and Zelda Fitzgerald but that has less to do with Woody Allen's writing and more to do with who these women were in real-life.
Gotham Gal gives it four shiny red apples
Do you, like Gil, suffer from nostalgia for a time period or a place that you wish that you could have lived in. If you could go back in time, would you?
Labels:
Marion Cotillard,
Owen Wilson,
Paris,
Woody Allen
Monday, May 23, 2011
Open Letter to Garin Wolf
Dear Garin,
Congrats on your new job as head writer of General Hospital. It's no doubt well deserved, given the years that you have toiled in the trenches underneath Bob Guza. I'm taking your promotion as a sign that ABC has high hopes for GH now that they've tossed the mighty legacy of Agnes Nixon (All My Children and One Life to Live) on the trash heap.
I know it's going to be awhile before you stories air, but might I make a few suggestions as to how you can save this show from suffering the same fate as its sisters? First of all, forget market research, and listen to what the fans want. It's not hard to do. I suggest that you read what Mallory has been writing about GH over at Serial Drama for the past few years, and I'm sure that Jamie Giddens over at Daytime Confidential could help out as well. Don't forget Carolyn Hinsey at Soap Opera Digest who hit the nail on the head when she said that viewers don't want stories driven by arbitrary events that might boost ratings for 5 seconds but have no lasting effect. We want character driven stories, not plot driven stories. Of course to make this work, some deadwood has to be trimmed from the cast. Lisa Niles, Matt Hunter, Spinelli, Clare Walsh, Siobhan (also known as irritating Irish chick who serves no purpose), Abby, Brenda (whose return was totally botched by your predecessor), Johnny and Anthony Zacchara all need to hit the road in the next few months.
Recently my friend Mala and I sat down over the weekend and played Head Writer. Here are just some of the ideas that I came up with (you can read Mala's ideas here). I totally agree with her about a Lucky/Maxie/Liz triangle, it plays to the character's history and it makes sense that Lucky would turn to Maxie, especially if he's contemplating doing drugs again. Siobhan can't compete with that kind of history and frankly she's been written as nothing more than just feisty since she's been on the canvas.
1) Bring back Bobbie from under whatever rock she's been hiding under over the past several years. Carly needs her, as do Luke, Lucky and Lulu. Find out why she's missed every significant moment in her daughter's life over the past few years, and why she wasn't there for Luke's intervention. Have her help Carly deal with yet another failed marriage. Also give her a job as Head OR nurse or head of the nursing program in general at GH. She finds herself falling for her old love Scott Baldwin who has returned to town with his daughter Serena, who immediately makes a bee-line for Michael Corinthos. Seems she likes to take a walk on the wild side of life.
2) Mala mentioned having Jason Morgan recover his memories. Bring back either Lainey or Tom Hardy Jr. as head of psychiatry to help Jason deal with the fact that he's killed people for the past 16 years. Tracy would now feel threatened, wanting Ned and Dillon to come back into the fold at ELQ. Perhaps, if they don't want to come back, she reaches out to JR Chandler and a merger between Chandler Electronics and ELQ which would bring JR and little Adam to Port Charles. JR finds himself drawn to Sam McCall even though she's engaged to Jason Morgan Quartermaine. This would bring the Quartermaines back to the forefront which is what fans have been clamoring for. Perhaps add a little corporate espionage to the mix. While you are at it, why not have Edward start courting Leslie Webber, finding love again in his twilight years. Take a look at the fan reaction to Victor Kiriakis and Maggie Horton over at DOL. Fans are open to love amongst all ages.
3) Now that Jason has taken his rightful place as the Quartermaine heir, where does that leave Sam? How does a con artist/detective/mob moll fit in to his new high sociey world? Especially when Kelly Cramer comes to town to take over the Port Charles newspaper. Sam breaks up with Jason and decided to find out who her father is which sends both Helena Cassadine and Alexis into a tizzy. Valentine Cassadine arrives in Port Charles and immediately moves into Windermere along with his new wife Holly Sutton. Is he Sam's father or is the truth even darker than she realizes? While Helena Cassadine tries to neutralize Sam finding out who her real father is, she also finds time to try and romance both Dr. David Hayward and Edward Quartermaine.
4) Dr. David Hayward arrives in Port Charles and takes over as head of cardiac surgery which puts him into conflict with Dr. Monica Quartermaine who is not ready to be put out to pasture. The two butt heads over surgeries and procedures. He immediately makes an ally of Carly Roberts Quartermaine Corinthos Jax who now has a seat on the hospital board thanks to her divorce from Jax. Of course they hit the sheets, becoming Port Charles's new power couple. Hayward also clashes with Patrick Drake over who has the bigger cojones as a doctor. Despite the fact that he was once Robin's stepfather when he was married to her mother Anna, Hayward and Robin also clash over her research. Remember David Hayward loves to mess with drugs (Libidizone anyone?). Who knows what he could create and release into the punch bowl at say the nurse's ball?
5) If Robin didn't have enough of a headache with her former stepfather back in town, her uncle deciding to quit the police force, Bianca Montgomery comes to town and reveals exactly what Robin was doing all those years in Paris. Bianca comes to town to make a business deal with Jasper Jax. Fusion needs a serious influx of cash and Jax is one of the few venture capitalists who has money to invest. Sonny also wants to invest so that he can launder some cash in a desperate attemp to go clean to try and get Brenda back. While in town, Bianca connects with her old friend Robin. It turns out that the women were more than friends for awhile until Robin decided that she really prefers men, but seeing Bianca again stirs up old feelings which causes Patrick to once again feel insecure and to have problems controlling his jealously.
6) Mac decides to retire as police commissioner, disallusioned by the force's inability to end organized crime in the city. He takes a job as head of security at the MetroCourt where Max and Milo now work since Sonny has decided to go straight. Frisco Jones, after years of working for the WSB, finally comes back to town, on a mission to find out what Helena and Valentine Cassadine are up to. He also needs to deal with one angry daughter, Maxie Jones, who tears into him for his years of neglect, and for not even coming back for her sister Georgie's funeral. Maxie finally deals with her daddy issues. While working at the Metrocourt he runs into Kate Howard, who decides to make Mac her new pet project.
7) Lucas Jones comes back to town and gets a job at General Hospital as a physical therapist. He reconnects with his cousin Maxie, commiserating over the death of Georgie. He also connects with his big sister Carly. When Milo needs physical therapy to cope with an older injury, he finds himself attracted to a guy for the first time in his life. But Milo is not the only one in town who has is eye on the handsome new employee at GH.
8) Ethan and Kristina impulsively get married after he receives his cut of the Quartermaine money but he finds himself feeling left out when Kristina starts attending Port Charles University, along side Dillon Quartermaine who has returned to Port Charles. He keenly feels his lack of education compared to Kristina but doesn't know what to do about it. Kristina assures him that she loves him exactly the way that he is, but he worries that he can't compete with the Taylor's and Dillon's of the world. The only way he thinks he can compete is by having money. He gets involved in a series of underground high stakes poker games. Initially he wins several but then he gets into deep.
Tuesday, May 03, 2011
Catherine, Duchess of Cambridge: Royal Housewife
Now that the wedding is over, and the top of the wedding cake has been frozen to be eaten on their first anniversary (do the Brits even follow that custom?) what is next for the royal couple? After a brief weekend break, Prince William went back to work today as a search and rescue pilot with the RAF. The couple are not set to take their honeymoon for a few weeks, hopefully somewhere warm (There is speculation that the royal honeymoon was canceled because of what went down this weekend with Osama). While the Duke is pursuing his career in the RAF, Kate is set to return to normality as a housewife. Word on the street is that she has decided not to become a full-time working royal for the next two years, instead she wants to enjoy life for as long as she can as an ‘ordinary RAF wife’ in the rented farmhouse that they share on the island of Anglesey in North Wales . “Catherine wants to enjoy her time with William as an RAF wife,” said a friend. “It’s so rare that someone in her position gets the chance to live as a normal wife and she intends to make the most of it.”
Kate’s life will be somewhat reminiscent of the Queen’s life when she first married the Duke of Edinburgh who was still an active officer in the Royal Navy. Some of the happiest times of their lives were when they were first married and the Duke was posted to Malta. Between 1949 and 1951, the Duke of Edinburgh was stationed in Malta (then a British Protectorate) as a serving Royal Navy officer. He and Elizabeth lived intermittently, for several months at a time, in the Maltese hamlet of Gwardamanġia, at the Villa Gwardamanġia, the rented home of Philip's uncle, Lord Mountbatten. The children, Anne and Charles however remained in Britain.
The Duchess has been invited to join the wives' club at RAF Valley. Support from other women in a similar situation will be important. Only they really understand the difficulties of having a spouse in a high-pressure job such as search and rescue. Other wives may also provide a social network for Kate if she goes through a lengthy separation from William. It has been reported that he may be posted to the Falkland Islands to serve for two and a half months as part of his training. In the meantime, Kate will only conduct public engagements with William. According to the Daily Mail, Kate wants to model herself on Camilla, who insisted on a 'supporting role' only after her marriage to Prince Charles in 2005.
This decision is as much William’s as it is Kate’s doing, as he has asked aides to keep her commitments to a minimum. Accordingly, there are only a few events penciled into her diary for the upcoming months. The only definite dates include events like Trooping the Color (aka the Queen’s official birthday), a couple of polo matches and the Duke of Edinburgh's 90th birthday. There will also be Zara Phillip’s wedding to Mike Tindall in Scotland at the end of July. Meanwhile, in Canada excitement is building as Kate will accompany William on a two-week tour in July. Rumor has it that the royal couple may be bringing some glitz and glamor to Tinsletown itself at the end of the tour although that hasn’t been confirmed (at least according to Andrew Morton on his new site The Morton Report). Word is that they will also be taking on a significant role next year for the Olympics, not to mention the Queen’s 60th anniversary on the throne.
Seriously though, one has to wonder, won’t she get bored just sitting around the cottage waiting for William to come home? Before she, at least, had her job at Party Pieces to occupy her when she wasn’t with William. Aides to the Prince however insist that Kate ‘will not be idle’ and that while William is on duty, she will be ‘pursuing other interests.’ Hmm, Kate once expressed an interest in photography, I wonder if she might take that up again. There’s also the possibility eventually of the pitter-patter of tiny royal feet.
Soon, however, Kate will have to take on some royal engagements on her own. It is important that she be seen to be earning her keep as it were. During the years that she was dating Prince William, she was criticized for being ‘work-shy.’ Apart from working for her parents at Party Pieces, the only job she had was as a part-time Accessories buyer for the High-Street chain Jigsaw. Last year, the Queen who is 85 conducted 444 royal engagements, while Prince Charles carried out 585! William on the other hand performed 73. Of course, he also has a full-time job in the RAF so he can be forgiven for not undertaking more. Kate, however, does not have that excuse.
While it is understandable that Prince William does not want Kate to be thrown into the deep end the way is mother was, Kate seems to be a pretty tough cookie. She’s already proven that she has a natural confidence about her in the few royal engagements that she performed before the wedding. I have a feeling that she would be fine if she undertook a few solo engagements at carefully selected charities that have some personal meaning to her. However, according to the Daily Mail, she wants to explore the fields that interest her before committing to her own charities.
It appears that Kate has the blessing of the Queen, who no doubt remembers what it was like in the few short years that she had as a newlywed before her father’s untimely death which thrust her into the duties of the monarchy. You have to applaud Kate’s chutzpah at bucking royal tradition.
Kate’s life will be somewhat reminiscent of the Queen’s life when she first married the Duke of Edinburgh who was still an active officer in the Royal Navy. Some of the happiest times of their lives were when they were first married and the Duke was posted to Malta. Between 1949 and 1951, the Duke of Edinburgh was stationed in Malta (then a British Protectorate) as a serving Royal Navy officer. He and Elizabeth lived intermittently, for several months at a time, in the Maltese hamlet of Gwardamanġia, at the Villa Gwardamanġia, the rented home of Philip's uncle, Lord Mountbatten. The children, Anne and Charles however remained in Britain.
The Duchess has been invited to join the wives' club at RAF Valley. Support from other women in a similar situation will be important. Only they really understand the difficulties of having a spouse in a high-pressure job such as search and rescue. Other wives may also provide a social network for Kate if she goes through a lengthy separation from William. It has been reported that he may be posted to the Falkland Islands to serve for two and a half months as part of his training. In the meantime, Kate will only conduct public engagements with William. According to the Daily Mail, Kate wants to model herself on Camilla, who insisted on a 'supporting role' only after her marriage to Prince Charles in 2005.
This decision is as much William’s as it is Kate’s doing, as he has asked aides to keep her commitments to a minimum. Accordingly, there are only a few events penciled into her diary for the upcoming months. The only definite dates include events like Trooping the Color (aka the Queen’s official birthday), a couple of polo matches and the Duke of Edinburgh's 90th birthday. There will also be Zara Phillip’s wedding to Mike Tindall in Scotland at the end of July. Meanwhile, in Canada excitement is building as Kate will accompany William on a two-week tour in July. Rumor has it that the royal couple may be bringing some glitz and glamor to Tinsletown itself at the end of the tour although that hasn’t been confirmed (at least according to Andrew Morton on his new site The Morton Report). Word is that they will also be taking on a significant role next year for the Olympics, not to mention the Queen’s 60th anniversary on the throne.
Seriously though, one has to wonder, won’t she get bored just sitting around the cottage waiting for William to come home? Before she, at least, had her job at Party Pieces to occupy her when she wasn’t with William. Aides to the Prince however insist that Kate ‘will not be idle’ and that while William is on duty, she will be ‘pursuing other interests.’ Hmm, Kate once expressed an interest in photography, I wonder if she might take that up again. There’s also the possibility eventually of the pitter-patter of tiny royal feet.
Soon, however, Kate will have to take on some royal engagements on her own. It is important that she be seen to be earning her keep as it were. During the years that she was dating Prince William, she was criticized for being ‘work-shy.’ Apart from working for her parents at Party Pieces, the only job she had was as a part-time Accessories buyer for the High-Street chain Jigsaw. Last year, the Queen who is 85 conducted 444 royal engagements, while Prince Charles carried out 585! William on the other hand performed 73. Of course, he also has a full-time job in the RAF so he can be forgiven for not undertaking more. Kate, however, does not have that excuse.
While it is understandable that Prince William does not want Kate to be thrown into the deep end the way is mother was, Kate seems to be a pretty tough cookie. She’s already proven that she has a natural confidence about her in the few royal engagements that she performed before the wedding. I have a feeling that she would be fine if she undertook a few solo engagements at carefully selected charities that have some personal meaning to her. However, according to the Daily Mail, she wants to explore the fields that interest her before committing to her own charities.
It appears that Kate has the blessing of the Queen, who no doubt remembers what it was like in the few short years that she had as a newlywed before her father’s untimely death which thrust her into the duties of the monarchy. You have to applaud Kate’s chutzpah at bucking royal tradition.
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